Dee,
we started using studio lighting when we first got into the show business in 2001 because the regular show photogrphers would simply set up a background and shoot with their on-camera flash. What you got was hard shadows.

I've been shooting people portraits for a long time so setting up the Bees to soften the light and wrap around the dog was easy and effective. In an ideal world, I'd do a slave to illuminate the backdrop and eliminate the shadows but most venues don't have that much AC conveniently available.

In my humble opinion, the ability to use or create lighting is what makes a good photographer from the run-of-the-mill technicians. Sometimes you use strobes; sometimes on-camera flash; sometimes no flash. You have to know what every situation gives you.

I appreciate the compliments but keep in mind that all of us have started at the same point and learned how to shape our vision photographically. I happen to love animals in general and dogs in particular. So I've molded my technical skills around the need to create good pictures of the dogs I love (which happens to be every dog I meet). I have a skill in seeing how dogs look their best. And so that's the vision I use to create my portraits.

As an artist, you know what I'm saying. You have unique skills and the camera is just one way for you to express your skill. The ability to see the final image and then create it through the camera is the talent. Managing light, equipment and conditions is just part of the mix.

Thank you for your comments. I'm glad you like the images.

Jim